Category Archives: Buddhism

some basics

I was the world in which I walked, and what I saw
Or heard or felt came not but from myself;
And there I found myself more truly and more strange.
-- Wallace Stevens, "Tea at the Palaz of Hoon" (1921)

For those who are interested in the most fundamental questions, it has often proven useful to ask about the thinker rather than what is thought. We can derive insights about the world by first understanding our own predispositions and limitations.

Hence the early Buddhists went searching for the self and found only the five aggregates (form, sensation, perception, volition, consciousness), Socrates tested various kinds of expertise, Aristotle based his system on logic, the sixth Chan patriarch Huineng found truth in his own original nature once all attachments fell away, Ibn al-Haytham explored optics to understand space and matter, Descartes proposed to ground philosophy on a critical theory of reason, Hegel analyzed the logic of history because he saw reason as cumulative, Husserl turned to pure experience, and Wittgenstein looked to the ordinary language with which we express thoughts.

These are examples of examining the subjective to understand what is objective.

For me, the most basic truth about our thought is that we use brains that evolved for specific needs, leaving us with severely limited cognitive powers and motives that are dubious, even by our own lights.

Indeed, we come into the world knowing almost nothing and hold most of our beliefs because of what other members of our species have told us. We are able to believe many different things, but what we actually believe depends in large part on who has influenced us, which is the result of our surrounding social structure–things like schools and publishers and churches and governments. And all social structures are dubious, even by our own lights.

I would believe very different things if I were a medieval Catholic, let alone a dolphin. Each organism has its own Umwelt (self-centered world), or kyogai (bounded consciousness, in Zen), or “mundo” in Stevens’ idiosyncratic vocabulary.

This relativism is grounds for humility but not an excuse for blanket skepticism. We can make and test specific inferences. Our understanding can accumulate, albeit from many starting points. We are obliged to think as well as we can and not to ignore what we have reason to believe.

Considering the knowledge that has accumulated for me, I think I discern two main pillars.

One is natural science, which assumes and reinforces a picture of nature as impersonal, purposeless. Things happen because things previously happened.

The other is ethics, in the very general sense that what matters is experience, not only my experience. “Without exception, no sufferings belong to anyone. They must be warded off simply because they are suffering” (Shantideva, 8.102-3).

Science and ethics stand separately. Neither lends support to the other. Each can be doubted in a very abstract way. Many human beings have denied each of them, and I could deny them as well. But such doubt is abstract because I have been formed by accumulated thought that supports both pillars.

Further, these two assumptions are responsible. Not to care about others is selfish; not to accept the basic purposelessness of nature is sentimental. We are to address suffering in a world that will not offer respite by itself. To doubt science or ethics is a mere temptation, not a responsible option.

On this planet, the general principles of a purposeless nature have generated the logic of natural selection, which causes increasingly complex organisms to proliferate against the current of entropy. In earth’s animal kingdom, this complexity has yielded sensitivity and, ultimately, experience.

Nothing suggests that evolution would tend toward happiness. On the contrary, a sensitive animal is more likely to survive if it experiences negative emotions, such as fear and aversion. Nor is there any reason to expect that an evolved brain would be able to understand itself. The first-person world–the stream of consciousness–is a slippery thing for us because we are not well designed for meta-cognition. We can describe the Umwelt of a deer-tick but not our own. We resort to crude words like “self” and “world” or “cause” and “effect” that seem inadequate to what we experience.

Recognizing the abstract idea that the world is experienced differently by other kinds of people and species reminds us that it has unplumbed depths. Attending very closely to our own experience offers hints of what we normally miss. Listening to others describe their experience enriches our own and encourages compassion by directing attention to their emotions and the causes of their experiences, something that our evolved brains seem able to do.

Genuine compassion demands action, and action to address suffering keeps one from marinating in one’s own concerns. We should listen not only to homo sapiens but also to other sentient creatures. But it is a mistake to attend only to others, since each of us is usually best placed to hear and respond to our own stream of consciousness, which is easy for us to ignore. If we can find ways to share what we find within, without burdening other people with self-indulgent confessions, then what we share about ourselves may be a gift for them.

Modern philosophers call the very close description of one’s own experience “phenomenology.” This practice has ancient roots. For Husserl, the ancient Buddhist Pali Canon was exemplary of phenomenology. He wrote that understanding its “joyous mastery of the world … means a great adventure” for those who start with different assumptions–in his case, with concepts derived from Protestantism (trans. in Hanna 1995). In other words, the Pali Canon offered both a skillful description of human experience in general and an alternative to Husserl’s local context. Exploring this alternative liberated him from himself.

Not only ancient Buddhist scriptures and dense modern phenomenological treatises but also many literary texts and images offer hints about consciousness as experienced by specific people. Since the mind is constantly attentive to the world and to other minds, a work that describes nature or people is also an account of the one who experiences such things. Thus a poem about a nightingale or a painting of a haystack or a fiction about one day in Dublin is also a kind of phenomenology. As Stevens said (I am on a Stevens kick right now), “Poetry is one of the enlargements of life.”

We have brains designed for survival, which means that they are destined for suffering. But this inheritance has equipped us with the capacity to “enlarge” ourselves by listening generously–listening to others, to nature, and to ourselves.

Again, to listen seriously compels compassionate action. If we act for the sake of a good outcome, we will inevitably be frustrated, so we must act just to be compassionate (which, however, implies thoughtfully choosing the most effective means). And since each of us is cognitively limited and motivationally flawed, we should almost always decide what to do together. This is where the inner life and civic life come together.

Sources: F.J. Hanna, “Husserl on the teachings of the Buddha,” The Humanistic Psychologist, 23(3), (1995) 365–372; Shantideva, The Bodhiicaryacatara, trans. by Kate Crosby and Andrew Skilton (Oxford University Press, 1995). See also: Cuttings version 2.0: a book about happiness; verdant mountains usually walk; Montaigne the bodhisattva?; Wallace Stevens’ idea of order; the fetter; thinking both sides of the limits of human cognition; joys and limitations of phenomenology; and a Husserlian meditation.

the fetter

[Citta, a lay follower of Buddha, said,] “Suppose there was a black ox and a white ox yoked by a single harness or yoke. Would it be right to say that the black ox is the yoke of the white ox, or the white ox is the yoke of the black ox?”

[Several senior monks said,] “No, householder. The black ox is not the yoke of the white ox, nor is the white ox the yoke of the black ox. The yoke there is the single harness or yoke that they’re yoked by.”

[Citta replied,] “In the same way, the eye is not the fetter of sights, nor are sights the fetter of the eye. The fetter there is the desire and greed that arises from the pair of them.

“The ear … nose … tongue … body … mind is not the fetter of ideas, nor are ideas the fetter of the mind. The fetter there is the desire and greed that arises from the pair of them.”

“You’re fortunate, householder, so very fortunate, to traverse the Buddha’s deep teachings with the eye of wisdom.”

Samyuttanikaya, 41.1

Citta is a rich man, the treasurer of a town and the owner of estates. As a “householder,” he probably has a wife and family. He chooses not to renounce property, power, or intimate love. In several discourses, he receives instruction from monks, people who have renounced all these things. Here–meeting them in a wild mango grove that he has donated to their order–Citta instructs the monks.

Given Citta’s worldly way of life, his main risk is to treat the things of this world as ends and to strive to obtain or retain them. That is no path to happiness, because there is always more to want, and everything is fragile. It is certainly no way to help others.

But the monks face dangers, too, and one of them is to disparage the things that give meaning to human life and to derive pleasure from shunning those things. That is no better path to happiness, for oneself or others. As the story suggests, the monks have as much to learn from a wise layperson as he can learn from them.

Here is a 21st century gloss or response to this very ancient text. …

Evolution has equipped human beings with highly sensitive nervous systems that generate a vast range of feelings that matter to us–not just doses of pleasure and pain, but complex assemblages composed of such feelings as curiosity, concentration, attraction, aversion, fascination, awe, anxiety, distraction, horror, and almost infinitely more. We cannot talk about things mattering except by invoking these affective words.

Feelings differ according to the person and the objective situation, but they are also relative to the design of our species. A dog relishes urine smells that we are simply not designed to appreciate. It is not that sunsets are really beautiful and fire hydrants are actually stinky but that humans have positive reactions to some things, just as other creatures gain satisfaction from other things.

Therefore, beauty is not in the world or in us, but in the interaction. One ox is the world, the other is the mind, and what matters is the fetter.

Natural selection promotes survival, not happiness. Although the variations in people’s dispositions and life circumstances yield a range of results, from happiness to despair, suffering is an inevitable consequence of being designed for sensitivity. Bacteria survive by reproducing rapidly, but that is not why we have proliferated.

Trying to shun the things of the world is no use–the other ox must still be there. What deserves our attention is the way we relate to it.

I would add a point that I don’t think is likely to be found in the Pali Canon. We are not just natural creatures with nervous systems designed in certain ways. We are also profoundly historical creatures. We think in languages that previous human beings have developed over millennia. We assess natural objects using words and concepts that other people have made. And we live surrounded by things that people have fashioned on purpose. There are sunsets to watch but also paintings of sunsets. It’s impossible to watch the sun move behind the rotating earth without having learned how human beings have named and represented and explained and enjoyed “sunsets.”

That means that the yoke is not the relationship between my mind and the world. It is the accumulated history of all the minds and the world, where the world includes the products of all the other minds.

Much suffering and alienation is built into the fetters that we inherit. Improving them cannot be a task for individuals alone but must be accomplished together.

The advice of the Pali Canon would be to form affective communities that conduct rituals together, like the monks in the mango grove that Citta gave them. It’s an important question whether politics can also help–for example, whether making the earth literally more peaceful can create a better environment for our minds. (Citta devotes some of his time to political leadership.) I would also argue that the arts and humanities contribute by giving us new links between mind and world in the form of representations, interpretations, and objects that we can behold and use.

See also the sublime and other people;  the I and the we: the sublime is social; a Hegelian meditation; “Verdant mountains usually walk“; thinking both sides of the limits of human cognition; Montaigne the bodhisattva?; Wallace Stevens’ idea of order; and nature includes our inner lives

Verdant mountains usually walk

In a museum not far from our house, there is a painting entitled “Zen Saying” by the great teacher Hakuin Ekaku (1685-1768). Author of the koan “What is the sound of one hand clapping?”, Hakuin “was the most influential Rinzai Master in Japanese history” (Kasulis 1981, p. 105), and Rinzai is one of the three traditions of Japanese Zen.

The label translates the calligraphed words as: “Verdant mountains usually walk, barren women give birth at night.” The label also explains that the character for “usual” or “normal” (tsune) is here elongated in an unusual way–indeed, to the very “limits of legibility.”*

When I try to think about verdant mountains walking, I can form inferences. For example: if verdant mountains walk, we’d better stay out of their way! I cannot picture them walking without resorting to a cartoonish image. This is a limitation of my imagination, of language, or of the possible.

I can imagine that Hakuin–after decades of practice–had a different experience from mine when he thought of walking mountains and barren women giving birth. I can picture him having that experience without sharing it.

(By the way, Hakuin might have seen statements such as “The self exists” and “There is no self” as equally senseless paradoxes. In the Lankavatara Sutra, the Buddha says that dharmas are regular things that we believe we perceive, and non-dharmas are things that we make up without perceiving them, like horns on a rabbit or “the offspring of a barren woman.” A reason to try to imagine the non-dharmas, as in a koan, is to grasp the illusory nature of the dharmas.)

I cannot read Hakuin’s brushstrokes. I could, however, learn to read Japanese calligraphy, and I already know (roughly) what this text means. The characters are across a border of understanding from me, yet I can know what lies over there and can even shift the border by learning more from scholars and intermediaries.

I cannot feel what it was like to be the artist who painted this image, but I can learn many facts about his life, his genre, the koan he represents here, the tradition of koans, and his context. Again, Hakuin stands across a border, but I can indefinitely continue learning about what is on his side.

Right now, I am looking at a photograph of the painting, having recently seen the original. My mental state is reasonably calm but perhaps a bit distracted, since I am also typing. I know that I could see the same image while anxious or bored, and the whole experience would be different. I could even deliberately induce a state of anxiety. Then I would know that I had experienced the image while I was calm, but I would no longer be able to feel it the same way.

In short, there is a border around my current state of mind. I know what lies beyond it and can say (roughly) how it feels over there, but I cannot feel it now. I do know that the world for me always has a certain mood, which can change. In that sense, I know that my condition is temporal.

Expanding the scale of time, I can recall (sometimes vividly) what it felt like to be a child or a young parent with a child in arms. But those are memories rather than experiences. There is a border around my identity as a middle-aged person. I can see over it but cannot cross it.

I can imagine the permanent end of my own consciousness. But experiences turn instantly into memories, and not so with death. There is a border around the whole of a life. We can know what the world will be like without ourselves in it but cannot feel that absence. Hakuin experienced the end of his consciousness and left something for us that he can no longer know.

I am sitting and typing next to my dog. We each know and care a lot about the other. But Luca has no idea about Japanese Buddhist calligraphy, not even enough to form questions that are beyond his ken. He doesn’t know that he doesn’t know. I understand barely enough about Zen that I do know some of what I don’t know, but my dog’s example shows that there can easily be things entirely beyond any being’s capacity to grasp.

The Japanese word kyogai is important in Zen practice. It is often translated as “consciousness.” It turns out that it literally means “boundary” or “bounded place,” and it derives originally from the Sanskrit word visayah, in the sense of a pasture that has a boundary.

Think of an animal grazing in a space surrounded by hedges. Or think of Hakuin, with his specific language and mood, writing about verdant mountains that walk. The mountains are outside his pasture, and he is outside mine.

Mumon Yamada (1900-1988) taught:

This thing called kyogai is an individual thing. Only a sparrow can understand the kyogai of a sparrow. Only a hen can understand the kyogai of a hen and only another fish can understand the kyogai of a fish. In this cold weather, perhaps you are feeling sorry for the fish, poor thing, for it has to live in the freezing water. But don’t make the mistake of thinking it would be better off if you put it in warm water; that would kill it. You are a human and there is no way you can understand the kyogai of a fish (in Hori 2000)

This is not precisely true. We can understand a vast amount about the fish, including its ideal water temperature and details about its sensory organs and neurology. There is a sense in which we can understand the kyogai of the fish and the fish cannot. It presumably has no grasp of the category of kyogai (or to draw from a different tradition, Umwelt). However, it is correct that we can never know how it feels to be a fish. We can’t even feel as we ourselves do in a different mood. And who knows what kyogai we cannot even imagine?

Victor Sogen Hori adds:

Kyogai can be said to change and develop, for it is a product of human effort. Thus one can say “His kyogai is still unripe” (Mada kyogai ga mijuku) or “His kyogai is still shallow” (Mada kyogai ga asai), implying that even though the monk has been working at overcoming his indecision, or fear, or pride, he still shows traces of self-consciousness. Finally, kyogai bears the quite personal imprint of the particular individual. One person’s way of acting in a fire drill, cooking in the kitchen, carrying on the tasks of daily life may be energetic and impassioned; another may do the same tasks coolly and methodically. Yet each may in his own fashion be narikitta in the way he acts. Thus one can say of monk Daijo’s way of performing some task, “That is typically Daijo kyogai.” (Hori 2000, p. 293).

If we can change our kyogai, how should we go about that?

We can ignore the boundaries (including the boundary of death) and graze in our respective pastures. This may be wise.

We can explore our own pasture and its boundaries to come to understand it fully. That is what Kant meant by a “critique” of reason–not a criticism of it, but an analysis of its structure and limits.

We can interact with people who have crossed our own boundaries. I am fortunate that a painting from the hand of one of the most famous Zen masters is in my neighborhood. To study that painting is to observe someone from a different time and context–and specifically someone who wrote about things “whereof one cannot speak.” Hakuin wrote koans not for himself but to benefit others, living and not yet born.

And we can try to cross the boundaries. A koan is a tool for doing that. The painting by Hakuin represents a verbal koan in Japanese characters. It is also a physical object that can work as a koan.

Dogen (1200-1253) comments on the koan, “Who can hear insentient beings speak dharma?” He says:

Only the insentient know the dharma they speak of,
just as walls, grass, and trees know the spring.
Ordinary and sacred are not hemmed in by boundaries,
nor are mountains and rivers; sun, moon, or stars.

“Zen Saying” is an insentient object that hangs on the wall of the museum. During a few seconds more than 250 years ago, Hakuin took a stick of hardened soot and glue, ground it with water, dipped a brush into the mix, and spread some of the blackness downward across the paper to make a long, imperfectly straight, sometimes translucent line that is unmistakably a brushstroke. That line is a bit of earth, a thing. It depicts nothing, but it means “usual,” contributing to a sentence about something so unusual that we cannot envision it.*

The line is a trace of the act of a specific man who long ago became insentient soot himself. The other insentient things around this work look different in its presence, as–according to Heidegger–a Greek temple that stands on the earth and presents itself as the home of a god makes a world appear:

The luster and gleam of stone, glowing by grace of the sun, first makes manifest the light of the day, the breadth of the sky, the darkness of the night. The temple’s firm towering makes visible the space of air. The steadfastness of the work contrasts with the weaving of the flowing sea, and in its own repose brings out the latter’s turmoil. Trees and grass, eagle and bull, snake and cricket first enter into their contrasting shape and thus come to appear as that which they are (Heidegger 1964, pp. 669-70).

Standing in the presence of the “Zen Saying,” I sense my contrast with it and feel myself appearing as that which I am.


References: T.P. Kasulis, Zen Action, Zen Person (University Press of Hawaii, 1981); The Lankavatara Sutra, translated by Red Pine (Counterpoint, 2013; Victor Sogen Hori, “Koan and Kensho in the Rinzai Zen Curriculum,” in The Koan. Texts and Contexts in Zen Buddhism (2000); The Essential Dogen, edited by Kazuaki Tanahashi and Peter Lovitt (2013), p. 170; and Martin Heidegger, “The Origin of the Work of Art,” trans. Albert Hofstadter, in Philosophies of Art and Beauty, ed. Albert Hofstadter and Richard Kuhns (New York: The Modem Library, 1964). See also: thinking both sides of the limits of human cognition; ‘every thing that lives is holy’: Blake’s radical relativism; a Heideggerian meditation; nostalgia for now; Ito Jakuchu at the National Gallery; and on inhabiting earth with inaccessibly beautiful things

*I got that information from the label, but a friend tells me that the character that is so boldly elongated stands for “walk.” I also added the passage about the Lankavatara Sutra later.

Pagels, the Gnostic Gospels

Elaine Pagels’ The Gnostic Gospels (1979) hardly needs a review from me. It won the National Book Award and has been listed among the 100 most influential works of the 20th century. However, I hadn’t read it until lately, and I can recommend it with the following summary.

Pagels classifies early Christians into two large groups, each of whom based their beliefs on sayings of Jesus that we can plausibly date to the earliest Christian period.

One group called themselves catholic (universal) and orthodox (right-believing). They taught that God was omnipotent and perfectly good, which meant that creation must be good, yet distinct from the Creator. The whole story of creation was divinely planned and hinged on the Incarnation, when God and nature came together in the figure of Christ. Jesus experienced physical resurrection, which will also happen to all people, whether saved or damned. By participating in the actual, embodied, and universal church (with its emerging structure of bishops, priests, and deacons), any person could be saved. Salvation required faith in the core doctrines of the Church, which represented sufficient knowledge. Christians were obliged to profess their faith even in the face of persecution, and martyrdom was understood as a sacrifice for the church. Everyone who confessed and practiced the sacraments belonged to that one living body.

Pagels calls the other group gnostics, although few of them may have used that name. They saw nature as rife with suffering and confusion; hence no omnipotent and benign force could have created it. Instead, they told various stories that explained present reality as a mistake caused by at least one powerful force interposed between us and the true divine. Like everything physical, the body was a trap. However, the soul was a piece of the divine, and some people could discover this truth through introspection and meditation—even including the use of mantras. We were not saved by the divine but could rather discover that we had always been fully divine. This discovery or knowledge (gnosis) was liberating. Gnosis was essentially individual, not assisted by belonging to any church, which would attract misguided human beings. Courting martyrdom for an ill-advised church was certainly a waste. True knowledge might be ineffable, or it might require concealment, or it might be specific to each questing soul, but in any case, it went far beyond what one could read in an explicit statement of faith. And the process of discovering it might be more important than the result.

Pagels understands these two views as rival theologies (structures of ideas), but she emphasizes that living persons in social contexts experience ideas, and ideas can influence social institutions that then shape people. She argues that the orthodox or catholic view prevailed because it reflected people’s lived experience of embodiment—we love our own bodies—and because it organized individuals into a functioning institution, the church, that was able to sustain itself. Even today, after many schisms, denominations as different as Eastern Orthodoxy and Pentecostalism share the same anti-gnostic roots. Gnostics were too otherworldly and individualistic to prevail.

Gnostic ideas have sprung up regularly since classical times—for instance, Blake was in tune with the gnostics, whether he knew those authors or not—but gnosticism has inspired individuals rather than large movements.

Although it’s interesting to compare religious views, one should be careful. Highly abstract statements of ideas from different traditions can look similar, yet actual religions are networks of people who share experiences, practices, and concrete stories. For that reason, even if a 2nd-century gnostic sounds like William Blake—or like a Zen practitioner—their experiences were vastly different.

Buddhists and Brahminic Hindus had many actual contacts with gnostics during the Roman era. According to shared Christian tradition, Thomas ended his life in India. Pagels writes that his biography could suggest the influence of Indian ideas on gnosticism and its critics. Thomas is the biblical figure who has the most explicit relationship with Jesus’ embodiment after the resurrection. In the canonical Gospel of John, Thomas doubts that Jesus has returned in his physical body, and Jesus encourages him to touch him—as if to refute gnosticism (John 20:27). But there was also a whole gnostic Gospel of Thomas, in which Jesus teaches the disciple that they are equals as fully divine and incorporeal souls.

It doesn’t seem that a huge amount has been written about gnosticism and the Dharmic religions since Pagels. She already cites Conze (1967), which still comes up as the main source on this topic today. I think that recent scholars have been skeptical of Pagels’ categories: they think that the gnostics were too diverse and they overlapped too much with the orthodox to qualify as a separate group. I cannot assess this trend, except to note that categories are always simplifications and subject to challenge, and Pagels seems pretty persuasive. Anyway, I suspect the gnostics would have found more success if they had accepted the Buddha’s Middle Way, but that idea might have struck them as a snare.

See also: notes on religion and cultural appropriation: the case of US Buddhism; are religions comprehensive doctrines?; a mistaken view of culture; individuals in cultures: the concept of an idiodictuon; and Zenobia of Palmyra.

core curricula without the concept of the West

This post is prompted by Stanford’s new Civic, Liberal, and Global Education (COLLEGE) requirement. Stanford makes no claim to present something called “Western Civilization” in chronological order. Instead, it assigns texts about common themes from diverse sources. I basically want to endorse this approach (which is not unique to Stanford).

Shared readings provide the basis for focused conversation that can encompass disagreement. I also see an argument for choosing works that illuminate the ideas, values, and institutions that have become globally dominant in the wake of European imperialism, which we can assess both critically and appreciatively. However, I cannot see a legitimate rationale for selecting authors and texts that are labeled “Western.”

Important lines of influence have always crossed any border that would demarcate the West, which has itself been deeply diverse. The word “West” sometimes names the countries where the majority populations are seen today as white, but that is an indefensible basis for selecting sources. A tenable justification would have to explain how something called the West is both internally consistent and intellectually distinct (whether for good or ill); and I don’t see a basis for that.

It’s true that some works from non-European regions extoll community and denounce individual selfishness or advance holistic and integrated metaphysical views. These texts are taken as evidence that “the West” is uniquely materialistic, dualistic, and individualistic. But authors from traditions like Buddhism would not have taken the trouble to argue so forcefully against materialism and selfishness if those values had been limited to people thousands of miles to their west. Their elaborate and sometimes urgent arguments to their own compatriots provide evidence that the values labeled “Western” have actually been widespread in many times and places. Meanwhile, Europe has produced powerful voices for mysticism, communalism, and deep ecology.

I’ll quote a passage from Leo Strauss, not to criticize him individually (even though I once published a roman-à-clef about him), but as an illustration of a view that I think was commonplace not long ago:

All the hopes that we entertain in the midst of the confusion and dangers of the present are founded, positively or negatively, directly or indirectly, on the experiences of the past. Of these experiences, the broadest and deepest—so far as Western man is concerned—are indicated by the names of two cities: Jerusalem and Athens. Western man became what he is, and is what he is, through the coming together of biblical faith and Greek thought. In order to understand ourselves and to illuminate our trackless way into the future, we must understand Jerusalem and Athens.

Leo Strauss, “Jerusalem and Athens: Some Introductory Reflections (Commentary, June 1967)

One premise here is that modern European ideas derive from two main sources, classical Greece and ancient Judaism. Perhaps Strauss also thought that the resulting ideas were good or true, although I suspect his own view resembled the deeply skeptical argument that he attributes to Nietzsche in the same article.

Regardless of Strauss’ ultimate position, my focus here is not the claim that it’s valuable to understand the intellectual history that flows from “biblical faith and Greek thought.” I object to following that history only through European countries and their colonies.

We might envision Athens as a label for a set of contesting ideas that emerged in the Greek classical period, and treat it as node. We might likewise use Jerusalem as the name of a node that represents the various strands of ancient Judaism. Some thinkers of the Hellenistic period connected these nodes, forming the basis of Christianity. For example, when John writes (in Greek), “In the beginning was the logos,” he combines these two sources.

Zooming out from those two nodes, we can identify many influences on both. The Hebrew Bible describes a people who were profoundly connected to Egypt and Mesopotamia. Greek thought drew on the same sources, plus South Asia and perhaps Scythia. For example, Pyrrho of Elis may have been a Buddhist and was certainly influenced–as were several other Greek philosophers–by his travels in India.

The nodes labeled Athens and Jerusalem then radiated influences on many periods and places. Leo Strauss was an expert on the ways that Greek philosophy and Hebrew scripture shaped classical Islam. One center of medieval Islam was Spain, from which Greek and Jewish ideas and texts spread to Catholic Europe. The first people to depict the Buddha in statuary were Indo-Greeks, while Catholic monasticism may be modeled on India’s bhikkhus and sanyasis. Examples of such radiating influence could be explored endlessly.

It is then very odd to name the zone that was influenced by Athens and Jerusalem as “the West.” The influences of Greece plus ancient Judaism extend, for example, to predominantly Muslim Indonesia, which lies at the east end of Asia. Jerusalem is also in Asia, and Athens is far to the east of (say) Marrakesh. Until the 1800s, the word “west” referred to a compass direction and bore no other implications. The first use that I can find that clearly defines the West in terms of culture–or race–is from 1892, around the apogee of European imperialism. By the way, one reason that the phrase “Western civilization” then became prevalent was a deep anxiety about the condition and prospects of Europe, especially following the First World War.

Studying a canon of works that relate to Athens and Jerusalem has value. For one thing, it’s an opening to discuss extraordinarily diverse and contesting ideas. But defining its scope as the countries where most people have had white skin is untenable.

See also: the history of the phrase “the West”; Europa was an Asian woman, and other thoughts on the definition of Europeto whom do the ancient Greeks belong?Jesus was a person of color; The lack of diversity in philosophy is blocking its progress (in Aeon)