Kuruntokai (The Short Collection) is an anthology of classical Tamil verse collected by Pooriko Nachinarkiniyar in the sixth or the seventh century CE. The poems are lyrics of love and longing. Apparently they offer layers of religious symbolism. Here are two translations of #36, giving some sense of the original:

Poem from the purple-flowered hills

Talaivi says to her friend—

He swore “my heart is true.
I’ll never leave you.”

My lover from the hills,
where the manai creepers
sometimes mount the shoulders of elephants
asleep among the boulders,
promised this on that day
when he embraced my shoulders, making love to me.

Why cry, my dear friend?

Paranar, Kuruntokai, verse 36, translated by A. Anupama

She Said

On his hills,
 the ma:nai creeper that usually sprawls
 on large round stones
 sometimes takes to a sleeping elephant.

At parting,
 his arms twined with mine
 he gave me inviolable guarantees
 that he would live in my heart
 without parting.

Friends, why do you think 
 that is any reason for grieving? 

 Paranar (Kuruntokai 36), translated by A.K. Ramanujan

Or #46 …

Poem from the fertile fields and fragrant trees

Talaivi says—

Don’t you think they have sparrows
wherever he has gone, with wings like faded water lilies,
bathing in the dung dust in the village streets
before pecking grain from the yards
and returning to their chicks in the eaves,
common as evening loneliness?

Mamalatan, Kuruntokai, verse 46, translated by A. Anupama

She Said

Don't they really have
in the land where he has gone
such things
as house sparrows

dense-feathered, the color of fading water lilies,
pecking at grain drying on yards,
playing with the scatter of the fine dust
of the street's manure
and living with their nestlings
in the angles of the penthouse

and miserable evenings,

and loneliness? 

 Ma:mala:tan (Kuruntokai 46), translated by A.K. Ramanujan

I’ll try a reply:

We used to watch sparrows like this one.
They'd look up at her, at me, hopeful,
Head tilted: crumbs? fly away?

Now it's only me. This one flutters up
To hunch under an eve and wait.
When the rain stops, maybe it will find a bite.

See also: when the lotus bloomed, nostalgia for now, voices

Aeschylus, Prometheus Bound, lines 19-35, in my amateur translation:

Prometheus, you will always suffer under 
One tyrant or another, uncomforted: 
That’s the price of befriending people. 
A god, you didn’t fear the rage of gods 
When you gave mortals the forbidden gifts. 
The penalty: you’ll always guard this rock, 
This awful rock. No sleep, no rest; you can’t even 
Move your leg. You just sing out your anguish 
To no effect. Prometheus, it is a hard thing 
To change the mind of the king of the gods. 
For every new ruler is harsh and cruel.

And according to Google Translate^TM:

Arthovoulos Themidis absolutely, 
Nearby of dissolvable copper 
I use human ice cream 
It is neither the voice nor the brute form 
Light, constant flame retardant 
you have to pay for flowers. Tied up 
lei a variety of hidden hides, 
thunderstorms if the sun again: 
This is a bad thing 
bury you: à à à ù ù ù   

this is what I give to the philanthropic way. 
God forbid, not even for the balloons 
Honorable Mention I Am Out Of Trial. 
There are no stone guards here 
Arthostadin, Cleft, the knee flexor: 
a lot of good people and good people. 
Type: Two grams of unpleasant brakes. 
You left me alone in the new hold.

Most trees have leafed out for two or three days.
Each leaf unfolding in place to fill its space, green;
But the trees that flowered are wilting now,
Bold blooms shrinking to leave more space between,
Dwindling to stipples along each bough.
Superimposed: a lacy screen, damascened,
Patches on a slate background--the dripping sky--
Grey except at some hidden place where a break
Must let the sun flood up to certain high
Shingles, a wire, a spire that's a streak
Of brilliant white. All silent, a still sheen,
Sheer, stretched thin to fade or end in a blaze.
   

Let us be glad for tangled things--
   For soiled fingers raking thick-stemmed grass;
     For matted fur on long, warm ears; 
Or child's hair idly twisted in rings.
   A thatch of ganglia fires in the brain's wet mass:
     A thought--electric--splits, connects, adheres.

All things rooted, snarled, or tensed,
   Whatever needs some mesh to form its mass,
 With loops, forks; twists, knots; ends, tears.
   Let's give thanks for things that are soft and dense. 

See also: for Gerard Manley Hopkins; and Pied Beauty, illustrated.

I was so distracted, tense, and busy
That I missed the lotus bloom.
Though preoccupied and hasty
I sensed something in the room—
Caught that subtle scent of longing,
That mute yearning to be still—
But I hadn’t yet an inkling
That the flower was my will.

(Answering Rabindranath Tagore, Gitanjali #20, “On the Day When the Lotus Bloomed,” which begins—in Tagore’s own English translation—“On the day when the lotus bloomed, alas, my mind was straying, and I knew it not. My basket was empty and the flower remained unheeded.”)