Category Archives: verse and worse

what it looks like to live

She’s all cheekbones, lashes, emotions
Conveyed in rapid succession, practiced.
Cut to his reaction, the impact on his famous
Face, bathed in a warm and flattering light.
Then they’re running athletically away,
Silhouettes diving before the fireball.
This is living. This is doing something.
It plays on long rows of screens suspended
Above the welded seats, the wall-to-wall,
The strewn paper bags and strewn human forms.
Slumped, plump, pursued by a slower fire,
None watch the screens deployed for our relief.
We find darkness in that old space behind our lids,
Or gaze out, or stare down at smaller screens
Where more looks and loves, kisses and missiles
Remind the living what it looks like to live.

(Dallas, June 4)

Philip, Hannah, and Heinrich: a Play

“[Philip] Roth, who passed away last week, will be spending a lot of time with Arendt now, as he will be buried near her in the Bard College cemetery. According to an anecdote related by Bard’s President, Leon Botstein, Roth requested to be buried in the Bard cemetery so we would be able to talk to Arendt in perpetuity.” — Roger Berkowitz 

Philip: Hannah? Hannah? Dr. Arendt? Let’s talk about Irving Howe, can we? I was thinking maybe we could start with him. In 1972, he accused me “thinness of culture, … of ressentiment [and] freefloating contempt and animus.” He said that your Eichmann book demonstrated “surging contempt” and “the supreme assurance of the intellectual looking down” on others. Now, was that fair? Where did he get off accusing us of contempt in such a contemptuous way?

Heinrich [Blücher, Hannah Arendt’s husband, buried to her right]: Wer spricht das? Wer ist da?

Hannah: English, please, Heinrich. You still need to practice your English. It’s just Philip. Philip Roth–the young novelist? Although he actually doesn’t look so young any more. He’s buried on the other side of me now.

Heinrich: What? Forever? Did you agree to this?

Philip: How about Gershom Scholem, Hannah? He accused us both of being self-hating, anti-Semitic Jews. Who made him the arbiter?

Heinrich: Could we talk to Leon about getting this fellow moved somewhere else?

Philip: Hannah, tell me about Berlin in the twenties. [Wistfully] You guys didn’t have to wait ’til the sixties for the sexual revolution, did you? Talk about putting the id back in Yid–you Weimar intellectuals already took care of that. Cafes, cabarets, it must have been great. But Heidegger? What did you see in that old Nazi?

Hannah: Ach, please, both of you. “Death not merely ends life, it also bestows upon it a silent completeness, snatched from the hazardous flux to which all things human are subject.” Can we try a little of that silent completeness for a while?

(See also: The House of Atreus: A Play; and for Gerard Manley Hopkins)

echoes

In home movies and fading Polaroids,
They look funny, their lapels wide and garish,
Their facial hair risible, movements jerky.
They look naive–fools, ignorant of what came next.
But I report: the grass felt just the same
When you raked your fingers though its crisp stems.
On a suddenly warm January day,
Wafting over sodden drifts, the air smelled
The same, and laughter sounded the same
Filtered through traffic thrum and cicadas.

[edited on Feb. 4, 2018]

Menemsha, Nov. 2017

The green belly of a wave stretches, tautens
Under its own mass–filaments or nerves
Of paler green stretching to their limits
As the body, relentless, falls forward.
But the wave is a hybrid creature, its
Sober underside carrying a head
That’s white and airy, that boils steadily,
And the head grows as the belly slides under,
And the whole thing gives up, flopping itself
On the rattling shingle, tossing froth,
While behind, what had seemed a mere bulge
Is the new wave, its skin stretched to breaking.

[Posted in Philadelphia. See also: seascape and Martha’s Vineyard, August 2009]