Category Archives: philosophy

horizon as a metaphor for culture

(Chicago) The philosophers Edmund Husserl, Hans-Georg Gadamer, and Jürgen Habermas use the metaphor of a horizon to describe the background or framework of experience. Without addressing thorny questions of interpretation involving these three disparate and difficult authors, I’d like to defend the metaphor in general terms:

Any person at any given moment has a unique visible horizon–the line that divides the objects on the earth from the sky. Yet if I stand right next to you, or stand where you were a minute ago, my horizon will closely resemble yours. Thus the metaphor captures the uniqueness of individual experience while making difference a matter of degree that is somewhat within our control.

It’s possible for two people to have entirely different horizons–they cannot see any of the same objects. Yet those two people could move until their horizons overlapped. A person could stand between two individuals whose horizons did not overlap and be seen by each. Or a whole chain of people could connect two remote individuals, allowing them to share vicarious experiences.

Your horizon is a function of the way the world is and how you see things. To a degree, you can change how you look and where you stand, but you must start from somewhere that you did not choose.

You have the capacity to see anything within your horizon. But you cannot see it all at once. You can describe and communicate anything within your horizon, but you cannot ever describe it all. You are aware of the horizon as a whole, but your attention focuses on objects within it.

I think if you replace “horizon” with “culture,” most of these sentences will ring true. At any rate, ever since my first book, I have been criticizing theories of culture that presume that everyone who belongs to Culture A shares the same structure of beliefs, which must be different from the structure that defines Culture B. That kind of model promotes unwarranted relativism and skepticism.

when east and west were one

(Washington, DC) I am highly skeptical of distinctions between “eastern” and “western” thought, considering the enormous diversity within both domains, the thousands of years of interaction between the two, and the arbitrariness of any border. (Why, for example, should a body of water less than 2,000 feet across be considered to divide two continents, Europe from Asia?)

But if you are committed to the distinction, it’s worth taking a look at the Milinda Pandha.  This is a dialogue written originally in Sanskrit or Pali before the year 200 CE. It describes a dialogue between a Greek king of India named Milinda (who is probably Menander I) and a Buddhist sage named Nagasena.

Menander I is well attested in Greek and Indian texts and archaeological evidence as a Greek king who converted to, and patronized, Buddhism. Here he is on a silver coin that reads “King Menander the Just” in Greek on one side and “Great King Menander, follower of the Dharma” in the Kharosthi script of South Asia on the other.

Nagasena is not known outside of this dialogue, wherein he is described as the son of a Brahmin who, having quickly exhausted the Vedic scriptures, studied Buddhism under a Greek monk named Dhammarakkhita (“Protected by the Dharma”).

Compared to a Platonic dialogue, the Milinda Pandha includes more fantastical details. The gods, for example, are directly involved. But it paints appealing portraits of the human characters. Menander goes around stumping sages with metaphysical paradoxes until he meets Nagasena, who bests him on a couple of those exchanges. Then the King simply asks questions about Buddhist doctrine and Nagasena answers with illustrative similes. The King replies after each one, “Very good, Nagasena!”

I can read the text only through the 19th century English translation of T. W. Rhys Davids. As far as I can tell, the perspective of the original document is orthodox Theravada Buddhism. Thus I am glimpsing Menander I through layers of interpretation, Asian and English; and it is hard to imagine how this European-born king of ancient India might actually have thought. But he and Nagasena seem to share the same social and cultural horizon, and the differences between them stem only from their respective roles as monarch and sage:

The king said: ‘Reverend Sir, will you discuss with me again?’

‘If your Majesty will discuss as a scholar (pandit), well; but if you will discuss as a king, no.’

‘How is it then that scholars discuss?’

‘When scholars talk a matter over one with another then is there a winding up, an unravelling; one or other is convicted of error, and he then acknowledges his mistake; distinctions are drawn, and contra-distinctions; and yet thereby they are not angered. Thus do scholars, O king, discuss.’

‘And how do kings discuss?’

‘When a king, your Majesty, discusses a matter, and he advances a point, if any one differ from him on that point, he is apt to fine him, saying: “Inflict such and such a punishment upon that fellow!” Thus, your Majesty, do kings discuss.

‘Very well. It is as a scholar, not as a king, that I will discuss. Let your reverence talk unrestrainedly, as you would with a brother, or a novice, or a lay disciple, or even with a servant. Be not afraid!’

what defines conservatism?

Popular political words like “liberalism” and “conservatism” often name disparate ideas and movements. No one controls their definitions, and therefore no one can complain if they are used for incompatible phenomena. For instance, “liberalism” can mean government interventionism or pro-market critiques of the state; and “conservatism” may be equally ambiguous. Yet we ought to be able to say something about the central tendencies of conservative thought. A helpful generalization should have three features:

1) It should be trans-historical and global, not limited to current US terminology.

In the US today, conservatives often present themselves as being critical of the nation-state and bureaucracy. But that has not been true of, for example, Christian Democrats in Europe.

2) It should be reasonably encompassing of the movements that have actually called themselves “conservative.”

For instance, if one defines conservatism as libertarianism, that omits traditionalist and communitarian conservative movements. If one defines conservatives as people who want to return to the past, that omits Newt Gingrich types who are utopians about technology and markets.

3) It should be charitable.

You should define a political idea in a way that a proponent would accept before you debate his or her views. For instance, although I have not read Corey Robin’s The Reactionary Mind, I am highly skeptical of Robin’s definition of “conservatism” as “animus against the agency of the subordinate classes.” According to Robin, “conservatism “provides the most consistent and profound argument as to why the lower orders should not be allowed to exercise their independent will, why they should not be allowed to govern themselves or the polity. Submission is their first duty, agency, the prerogative of the elite.” But what conservative would accept this characterization?

I would propose that the heart of conservative thought is resistance to intellectual arrogance. A conservative is highly conscious of the limitations of human cognition and virtue. From a conservative perspective, human arrogance may take several forms:

  • the ambition to plan a society from the center;
  • the willingness to scrap inherited norms and values in favor of ideas that have been conceived by theorists;
  • the preference for any given social outcome over the aggregate choices of free individuals;
  • the assertion that one may take property or rights away from another to serve any ideal; and/or
  • the elevation of human reasoning over God’s.

Now, these are separable claims. You can be an atheist conservative who has no objection to elevating human reason but deep concerns about state-planning. That is why conservatism is a field of debate, not a uniform movement. But it’s also possible to build coalitions, since, for example, Christian conservatives and market fundamentalists can unite against secular bureaucracies. Their reasons differ, but it is not only their practical objective that unites them. They also share a critique of the bureaucracy as arrogant.

If this is a fair description of conservatism, it should roughly describe the main tendencies of thinkers who have called themselves “conservative” over a broad sweep of time. I think it does. And some aspects of this definition are still visible in today’s Tea Party Republican Party. But our whole ideological spectrum is confused and atypical. If my definition of conservatism generally fails to describe the Republican Party, that may be because the GOP is not conservative in a deep sense. Meanwhile, as I argued in “Edmund Burke would vote Democratic,” it is sometimes the left in the US that seems most appreciative of local norms and traditions, most concerned about “sustainability” and fearful of human arrogance, and most resistant to planning and social control.

on the moral dangers of cliché

Here are five brief studies of people who made heavy use of clichés: Francesca da Rimini, Madame Bovary, Adolf Eichmann, W.H. Auden, and Don Gately from David Foster Wallace’s novel Infinite Jest. I offer these portraits to explore the moral pitfalls of cliché and to investigate how our postmodern situation differs from the medieval, Romantic, and high-modern contexts of the first four examples. I end with the suggestion that in our time, the desire to shun cliché can also be a moral hazard.

In the days of moveable type, printers cast common phrases as single units of type to save laying them out one letter at a time. In France, typesetters called those units clichés. When we assign a phrase to a word processor’s keyboard command because we use it frequently, that is a modern version of the original printer’s cliché.

There is nothing wrong with repeating functional phrases: “To whom it may concern”; “On the other hand.” We skim over these formulas without cost. But the word “cliché” now has a pejorative sense, implying a fault in writing. A cliché is an expression that has been used so often that it has lost its impact. Using a recycled phrase can undermine the aesthetic value of a work. It can also be a moral failure, if the writer or speaker uses it to avoid a serious issue or problem.

Francesca da Rimini

Francesca is a favorite character from Dante’s Inferno, represented countless times in Romantic and modern literature and art. A particularly famous example is Rodin’s sculpture of “The Kiss,” which shows Francesca embracing her lover Paolo. In Romantic versions, she is depicted as a heroine who suffers because her authentic and natural impulse to love outside of her marriage is forbidden by artificial and conventional rules. As a character in his own book, Dante is so moved by her plight that he faints.

But Dante (the author) put her in hell. A careful reading of her two short speeches reveals, first, that she talks entirely in quotations or summaries of previous writing about love, and, second, that all of her references contain errors. Indeed, Barbara Vinken has claimed that every quote by a damned soul in the whole Inferno is in error.

For example, Francesca says (in my translation)

When we read that ‘the desired
Smile then was kissed by the ardent lover,’
he who ‘can never be torn away’ kissed
me, all atremble. A Gallehaut was the author
of that book, and seductive was his fancy.
On that day, we read no farther.
(Inf., v, 130-136)

Francesca is quoting here from the French prose romance Lancelot. But in the known versions of the roman, Lancelot never initiates the kiss. He is bashful and passive to the point of foolishness, and Queen Guinevere makes all the advances. Yet the ardent lover in Francesca’s quotation is male. She has confused this text with other episodes from the courtly love tradition, such as the one in which Tristan kisses Iseult while they play chess together. The details of the Lancelot story fade in her mind, to be replaced with a generic formula: damsel taken by ardent knight. Perhaps this is because she wants to shift the blame from Guinivere (the woman) to Lancelot (the man). Or perhaps it is because she reads literature as a set of clichés.

A cliché is that it is portable and recyclable—a ready-made scenario or sentiment that shows up in many contexts. When we employ clichés, we often commit what Alfred North Whitehead called the “fallacy of misplaced concreteness.” This is the fallacy of taking something specific that belongs in one context and applying it elsewhere. Francesca treats the love scene between Lancelot and Guinivere that way, and to do so, she must ignore its peculiarities.

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the place of argument in moral reasoning

Here’s an everyday moral issue. As she heads to your cousin’s wedding, your great aunt Sallie asks whether you like her hat. You find it strikingly ugly, yet you choose to say that you love it.

Here is an argument that you made the wrong decision: “All lies are morally wrong. Your statement was a lie. Therefore, your statement was morally wrong.” This line of thinking should be taken seriously. It is tight logically. Morally, it is weighty as well. Your statement was a lie by standard definitions, and lying is problematic.

If you need a reason that lying is wrong, several are available: We don’t want to be lied to, so we shouldn’t lie to others. Lying makes a convenient exception to the rule that we would want to apply in general: Tell the truth. Lying manipulates. If we view Aunt Sallie as a fully rational person, then we should assume that she can handle a truthful reply to her question. Lying is a vice, likely to form a habit and corrode virtues.

But I picked this example because the statement “I love your hat” can fit within other persuasive arguments as well. For instance, “Act so as to maximize the happiness of other people. Your statement made Aunt Sallie happy. Therefore, your statement was morally right.” Or “Express authentic and benign emotions. Your statement expressed your love for Auntie Sallie. Therefore, your statement was morally right.” Or “Be a good nephew and be nice to your aunt. Your statement was nice, coming from a nephew. Therefore, you did the right thing.”

To make matters even more complicated, your words were not just a statement about her hat (although they were that). They were also a step in a conventional conversation, a contribution to an ongoing relationship with your great aunt, and part of the flow of a day that was important to your cousin. In turn, your family relationships and events such as weddings are components of communities that give meaning to life.

I propose that we think about a case like this as a node in a network. It has many links: to abstractions such as lying and love, and to concrete realities such as your aunt’s feelings and your cousin’s wedding. In turn, each of those nodes is linked to many others, producing a complex network.

In reviewing the moral network that we perceive around us, I think we should avoid two common errors.

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