I need to revise my book manuscript about Dante, which is under consideration by a publishing house. In the book, I argue that interpreting literature has moral or ethical value. Literary critics, I claim, almost always take implicit positions about goodness or justice. They should make those positions explicit because explicit argumentation contributes more usefully to the public debate. Also, the need to state one’s positions openly is a valuable discipline. (Some positions look untenable once they are boldly stated.)
I had taken the stance that contemporary literary theorists and academic critics were generally hostile to explicit ethical argument. My book was therefore very polemical and critical of the discipline. But I was out of date. In Amanda Anderson’s brilliant and influential book The Way We Argue Now: A Study in the Cultures of Theory (Princeton, 2006), she announces: “We must keep in mind that the question. How should I live? is the most basic one” (p. 112).
This bold premise associates her with what she rightly calls the “general turn to ethics” that’s visible in her profession today (p. 6). This turn marks a departure from “theory,” meaning literary or cultural theory as practiced in the humanities from the 1960s into the 1990s. “Theory” meant the use of (p. 4) “poststructuralism, postmodernism, deconstruction, psychoanalysis, Marxism, feminism, postcolonialism, and queer theory” in interpreting texts and discussing methods and goals within the humanities.
“Theory” tended to deprecate human agency. Poststructuralism “limit[ed] individual agency” by insisting that we could not overcome (or even understand) various features of our language, psychology, and culture. Multiculturalism added another argument against human agency by insisting “on the primacy of ascribed group identity.” Anderson, in contrast, believes in human agency, in the specific sense that we can think morally about, and influence, the development of our own characters. We don’t just “don styles [of thinking and writing], … as evanescent and superficial as fashion” (p. 127). Instead, we are responsible for how we develop ourselves.