Hearing live chamber music one night last week, I thought about the visual dimension of music, which we miss when we listen to recordings. Musicians often show a lot of expression on their faces, and they exchange meaningful looks that are interesting to interpret. In a string quartet, they all hunch over when they’re playing fast and intensely, and then sit back during lulls. I also like the general sight of their gleaming wooden instruments and slender bows, vibrating like insect wings.
I suspect that composers often think about visual issues when they write. For example, why give a theme to the first violin and the accompaniment to the second, and then switch their roles after a few bars? On a recording, it would sound the same if the first violin repeated the melody. But it’s visually interesting to see a motif passed around a semicircle of musicians, or bounced back and forth.