{"id":5184,"date":"2007-04-09T11:13:36","date_gmt":"2007-04-09T11:13:36","guid":{"rendered":"http:\/\/peterlevine.ws\/?p=5184"},"modified":"2007-04-09T11:13:36","modified_gmt":"2007-04-09T11:13:36","slug":"my-home-as-described-by-stephen-dunn","status":"publish","type":"post","link":"https:\/\/peterlevine.ws\/?p=5184","title":{"rendered":"my home as described by Stephen Dunn"},"content":{"rendered":"<p>(Syracuse, NY) We&#8217;re visiting my parents in the house where I grew up. It&#8217;s a cottage on the top of a steep hill. The back yard leads into a large urban park: nicely landscaped with meadows and stands of cypress trees, but always somewhat dangerous. Inside, as I&#8217;ve noted before, there are almost 30,000 books. Wherever there are spaces over bookcases or on the stairwells, my parents have hung prints. These are mostly rather sedate works&#8211;but on the steps to the attic hangs a Kathe Kollwitz engraving of Death or the Devil dragging a mother away from her baby. The furniture in the living room was once upholstered in white leather.<\/p>\n<p>All this is background to a poem that <a href=\"http:\/\/www.nortonpoets.com\/dunns.htm\">Stephen Dunn<\/a> wrote when his family rented the house from us. I think this must have been 1973-4, when Dunn was a visiting professor at Syracuse University and we were in London. The poem, typed on a real typewriter that bit into the paper, reads:<\/p>\n<p>Letter to a Distant Landlord<\/p>\n<p>This is the 20th century and you<\/p>\n<p>are invisible, across the Atlantic,<\/p>\n<p>beyond reach. We sleep in your bed,<\/p>\n<p>we make love where<\/p>\n<p>you made love and it&#8217;s strange<\/p>\n<p>we&#8217;ve not met.<\/p>\n<p>This house, though, does speak<\/p>\n<p>of you; all the books, the good<\/p>\n<p>junk in the attic, that<\/p>\n<p>startling print in the upstairs hall.<\/p>\n<p>You&#8217;ve brought the past forward<\/p>\n<p>to mingle like a fine, old grandfather<\/p>\n<p>with the appliances and dust.<\/p>\n<p>And we approve.<\/p>\n<p>Even the ghosts here are intelligent.<\/p>\n<p>They wait til the children are asleep<\/p>\n<p>then sit in the white chairs<\/p>\n<p>in the livingroom. Some nights<\/p>\n<p>it&#8217;s Nietzsche, last night it was<\/p>\n<p>Marx. They are all timbre<\/p>\n<p>and smoke, all they want is<\/p>\n<p>for me to get off my ass, to break<\/p>\n<p>my spririt&#8217;s sleep.<\/p>\n<p>But they don&#8217;t insist. They&#8217;ve seen<\/p>\n<p>so much their rancor has turned<\/p>\n<p>to sighs. We do not learn<\/p>\n<p>is what they&#8217;ve learned.<\/p>\n<p>Yet we are comfortable in your house.<\/p>\n<p>It is what we wanted.<\/p>\n<p>The park nearby is beautiful<\/p>\n<p>and dangerous, a 20th century park,<\/p>\n<p>the kind we must walk through. Our small<\/p>\n<p>belligerent dog picks fights there<\/p>\n<p>with Shepherds. They pick fights with him.<\/p>\n<p>Sometimes though they&#8217;re all tails and tongues,<\/p>\n<p>like us, and the air smells good<\/p>\n<p>and the grass is freshly cut.<\/p>\n<p>And so we send our checks<\/p>\n<p>and try to imagine your hands,<\/p>\n<p>your face, the way you discuss<\/p>\n<p>the things you must discuss.<\/p>\n<p>Some day after you&#8217;re back,<\/p>\n<p>smelling our smells and rearranging<\/p>\n<p>your lives, maybe we&#8217;ll appear<\/p>\n<p>at your door disguised as ourselves.<\/p>\n<p>We&#8217;ll say we&#8217;re looking for a house<\/p>\n<p>(that&#8217;ll be our only hint), sneak<\/p>\n<p>the glimpses we want, and move on<\/p>\n<p>like strangers who brushed by<\/p>\n<p>on their way somewhere else<\/p>\n<p>and don&#8217;t know why, in this century,<\/p>\n<p>they cannot stop.<\/p>\n<p>I love this poem as an evocation of my home, Dunn&#8217;s private life, and the 20th century. I&#8217;d only quarrel with one aspect (and even on this point I grant Dunn his license). I doubt that the ghosts in our house talk about Nieztsche and Marx very often. There are shelves of books by those authors that might conjure their spirits once in a while, but I&#8217;m sure they don&#8217;t reign over the house. The local spirits are English, bewigged, dusty, and interested in facts rather than theories.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Syracuse, NY) We&#8217;re visiting my parents in the house where I grew up. It&#8217;s a cottage on the top of a steep hill. The back yard leads into a large urban park: nicely landscaped with meadows and stands of cypress trees, but always somewhat dangerous. Inside, as I&#8217;ve noted before, there are almost 30,000 books. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11,14],"tags":[],"class_list":["post-5184","post","type-post","status-publish","format-standard","hentry","category-fine-arts","category-memoir"],"acf":[],"_links":{"self":[{"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/posts\/5184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5184"}],"version-history":[{"count":0,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/posts\/5184\/revisions"}],"wp:attachment":[{"href":"https:\/\/peterlevine.ws\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}