{"id":19343,"date":"2017-12-07T11:41:21","date_gmt":"2017-12-07T16:41:21","guid":{"rendered":"http:\/\/peterlevine.ws\/?p=19343"},"modified":"2017-12-07T11:41:21","modified_gmt":"2017-12-07T16:41:21","slug":"billy-collins-the-night-house","status":"publish","type":"post","link":"https:\/\/peterlevine.ws\/?p=19343","title":{"rendered":"Billy Collins, The Night House"},"content":{"rendered":"<p>Thanks to my friend Sterling Speirn, here is a wise poem about the relationship between the private life and the public life (&#8220;the grass of civics, the grass of money&#8221;). It&#8217;s by Billy Collins.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-19348 size-full\" src=\"http:\/\/peterlevine.ws\/images\/temp1.png\" alt=\"\" width=\"367\" height=\"796\" srcset=\"https:\/\/peterlevine.ws\/images\/temp1.png 367w, https:\/\/peterlevine.ws\/images\/temp1-138x300.png 138w\" sizes=\"auto, (max-width: 367px) 100vw, 367px\" \/><\/p>\n<p>Collins interprets civic and economic life as <em>work<\/em>, presumably in the dignified, creative sense of that word. It&#8217;s the use of tongs, needles, and pens. Meanwhile, the inner life has many aspects and they like to spend a little time by themselves, not working. They are &#8220;voices&#8221;&#8211;the soul even sings&#8211;but they can be quiet, too.<\/p>\n<p>The self is free at night and works all day. But the voices that dominate our dreams talk &#8220;to each other or themselves \/ even through the heat of a long afternoon,&#8221; and sometimes they interrupt our work to demand attention.<\/p>\n<p>Some online commentators presume that the narrator is female. I&#8217;m not sure about that. The body is &#8220;its,&#8221; and its heart and soul are &#8220;she&#8217;s.&#8221; The mind has no gendered pronouns. The author&#8217;s name is &#8220;Billy.&#8221; I&#8217;m inclined to think that the gender is multiple.<\/p>\n<p>Yarbough (2011) notes that Collins uses prominent phrases from very famous 20th-century American poems&#8211;such anthologists&#8217; favorites as Frost&#8217;s &#8220;Mending Wall,&#8221; Eliot&#8217;s &#8220;Prufrock,&#8221; Bishop&#8217;s &#8220;the Fish,&#8221; and Stevens&#8217;\u00a0\u201cThe Idea of Order at Key West.&#8221; Yarbough suggests that Collins wants to depict the self as a conversation. I would add that this internal discussion involves strong, possibly overbearing characters. It&#8217;s because we have all these famous voices in our heads that sometimes we have to put down our tools &#8220;to stare into the distance, \/ to listen to all its names being called.&#8221;<\/p>\n<p>(Scott D. Yarbrough (2011) &#8220;Poetic Allusions in Billy Collins&#8217;s The Night House,&#8221;\u00a0<em>The Explicator<\/em>, 69:1, 35-37)\u00a0See also:\u00a0<a href=\"http:\/\/peterlevine.ws\/?p=17468\" rel=\"bookmark\">introspect to reenchant the inner life<\/a>;\u00a0<a href=\"http:\/\/peterlevine.ws\/?p=7326\" rel=\"bookmark\">the importance of the inner life to moral philosophy<\/a>; and\u00a0<a href=\"http:\/\/peterlevine.ws\/?p=11183\" rel=\"bookmark\">a poem should<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thanks to my friend Sterling Speirn, here is a wise poem about the relationship between the private life and the public life (&#8220;the grass of civics, the grass of money&#8221;). It&#8217;s by Billy Collins. Collins interprets civic and economic life as work, presumably in the dignified, creative sense of that word. It&#8217;s the use of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[27,1],"tags":[],"class_list":["post-19343","post","type-post","status-publish","format-standard","hentry","category-notes-on-poems","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/posts\/19343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19343"}],"version-history":[{"count":6,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/posts\/19343\/revisions"}],"predecessor-version":[{"id":19353,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=\/wp\/v2\/posts\/19343\/revisions\/19353"}],"wp:attachment":[{"href":"https:\/\/peterlevine.ws\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/peterlevine.ws\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}